The Representation of Manizheh’s Character on a Ceramic Vessel (Freer Gallery Collection, Washington)
Volume 7, Issue 3, Autumn 2025, Pages 35-48
https://doi.org/10.22034/jwir.2025.728183
Atefeh Fazel
Abstract This study examines a ceramic vessel depicting the story of Bijan and Manizheh, dating back to the 6th century AH and originating from the city of Rey. The primary aim of this research is to analyze the representation of Manizheh’s character in this visual artwork and compare it with her portrayal in Ferdowsi’s Shahnameh. The central research question is as follows:How is Manizheh’s role represented in the text of the Shahnameh and in the ceramic images from the Freer Gallery Collection in Washington, and what are the differences in interpretation of this character across these two media?In terms of purpose, the research is applied, and in terms of nature, it follows a descriptive and visual-analytical method. Data collection was conducted through library research, consultation of credible domestic and online sources, and examination of ceramic vessels featuring Bijan and Manizheh found in the Freer Gallery Collection.The findings indicate that the ceramic artist has preserved symbolic elements while generally remaining faithful to the narrative, portraying Manizheh as a loyal, loving, and patient figure. However, her heroic and proactive dimensions, as emphasized in the Shahnameh, are less visible. Ferdowsi depicts Manizheh as a courageous woman with an active role in saving Bijan, symbolizing unwavering love and devotion.Ultimately, while the ceramic artwork retains the epic tone of the story through the inclusion of Rostam’s heroism and other epic elements, it places greater emphasis on the emotional and symbolic aspects of Manizheh’s character. The study reveals differences in the interpretation and representation of Manizheh between text and image, yet both media complement each other in preserving Iran’s cultural heritage and national narratives. One of the key outcomes of this research is highlighting the importance of the unity between visual and literary arts in maintaining and transmitting national stories. It demonstrates the special role of ceramics in promoting and reinterpreting ancient Iranian tales.
